Making the Most of
Mentors: Pacing, Pulling, and
This
is the time to start reading those all-important MENTOR or "Touchstone" TEXTS for the ‘14-‘15 school year.
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Consider Texts You’ve Already Read to
Students and will read AGAIN
Think back to your past experiences in
the classroom and consider which texts are
jam-packed with craft techniques, structures, well-developed and organized
Stoplight paragraphs, and/or content
you wish to highlight and use throughout the year. If you find that you
absolutely LOVE using Alice McLerran's The
Mountain Who Loved a Bird, and you used it for teaching science concepts
later in the year, anyway, why not introduce it in August and let the kids go
ahead and fall in love with the story, the structure, the language, the
artwork? If you had a book within one of your ELA units that was great for
supporting your reading standards, how much more powerful will it be to
introduce it early and return to it as mentor over and over again (when
studying narratives, or beautiful language, or personification, or purposeful
repetitive writing as well as the content in Unit 4). Why not?
Cast a Wide Net
As Carl suggests, don't limit yourself to long picture books. This is an easy one for
us as we have always cut clippings from newspapers or magazines, or downloaded
from online sources. The shift may be forcing yourself to feel even more comfortable
using those less familiar texts or forms: nonfiction texts, poems, digital
mentors, writing in math, science, or social studies. This wide net is
important when we plan those first few weeks of school— supporting our writers
in Building a Literate Community by offering invitations to write from sparks
in a variety of forms (and for a variety of purposes) within a variety of
workshops, and ultimately immersing our kids in ALL kinds of writing
situations, forms, audiences, purposes, styles.
Cut Excerpts from Longer Works
Although it's so tempting to feel like
we have to use the ENTIRE text when we show students how to write in a certain
way, it's totally unnecessary to always feel like we have to have to reexamine
the WHOLE text. Carl contends that sometimes
just a few sentences or paragraphs will do the trick- show the student the
desired craft technique, or demonstrate the complexity of a sentence or two.
The key is that that the child already knows and appreciates the text. Then
they will seek to emulate that writer so they can have the same desired effect
on their reader. So, consider cutting out a part to have that available for
later use.
Enlist the Aid of Colleagues, the LMS, LC
(me!), and Your Future Students
Although
it's easy to get swept away in what we know and love, there are always new ideas
and perspectives out there. Ask someone else what they have found success with
using. Better yet, put into your plans to have new students search for mentors
they want to have available in the class.
Make Our Own Mentors: We write!
Carl suggests that you never
underestimate the power of using your
own writing as mentor texts. You will have the desired traits, craft
techniques, content, unique audience, and focus, as well as a way for your
students to immediately see you as a fellow writer.
Final thoughts: Consider the kids'
interests, the power of variety, and the opportunity for emulation.
Though this list is in no way
exhaustive, it certainly offers food for thought. It gets us thinking about the
year to come and the mentors we could use RIGHT NOW! At this point, you, or
colleagues on your team, have: taught the new ELA units; know the demands of
the standards; better understand the connection of the themes, and experienced
much of the variety and types of writing the kids are called to do. So, what might you use this week that will
later become a marvelous MENTOR TEXT?
Resources : How's it Going? by Carl Anderson (Heinemann) Other supporters of mentor
texts- Lucy Calkins, Katie Wood Ray, Ruth CulhamCheck out the BLOG www.theliteracyconnection.blogspot.com for more mentor texts and links from famous authors! Sarah
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